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Refused - The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) flac album

Refused - The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) flac album Performer: Refused
Title: The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts)
Style: Hardcore, Punk, Prog Rock
Released: 1998
Country: Sweden
MP3 album: 1869 mb
FLAC album: 1989 mb
Rating: 4.6
Other formats: RA AC3 VOC AA WMA MP1 VQF
Genre: Rock

Although Refused broke up only months after the album’s release, The Shape of Punk to Come has since found an audience for the band and largely contributed to their posthumous fame, as well as inspiring many later artists in a wide range of genres. The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts Q&A.

It's a ballsy move to claim you're reinventing a musical genre that has been slogging along quite happily for more than two decades, but the Refused back up their chutzpah with an absolutely awe-inspiring and fearless slab of musical mayhem. The Shape of Punk to Come is nothing short of a punk-rock manifesto

Album The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts. The Shape Of Punk To Come Lyrics. Hey baby, never felt this good Freedom through the stereo and you wish you could Take a bite, do a dance, get lost on a crusade Jump on this soul train for destination unknown. Hey baby, never felt this free A pair of new shoes and a punk rock show to see Give acclamation to these blue ribbon babies And check the calendar for the expiration date. We've all been bitten We've all been underground We've all been beaten, battered, bruised Told to get down. We all been bitten We all been shut down We all been beaten, battered, bruised Told to get down. Down, down, down, down.

队列表 Punk-Rock Refused The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts. 12. The Apollo Programme Was a Hoax. Disc 2: Live at Umeå Open festival (April 3, 1998). 1. The Shape of Punk to Come. 2. The Refused Party Program. 3. Circle Pit. 02:48. 4. Worms of the Senses, Faculties of the Skull. 5. Hook, Line and Sinker.

album: "The Shape Of Punk To Come: A Chimerical Bombination in 12 Bursts" (1998). Worms Of The Senses, Faculties Of The Scull Liberation Frequency The Deadly Rhythm (Of The Production Line) Summer Holidays Vs. Punk Routine New Noise The Refused Party Program Protest Song '68 Refused Are Fucking Dead The Shape Of Punk To Come Tannhauser, Derive The Apollo Program Was A Hoax. The Shape Of Punk To Come" lyrics provided for educational purposes and personal use only.

Tracklist: 1. Worms Of The Senses, Faculties Of The Skull, 2. Liberation Frequency, 3. The Deadly Rhythm, 4. Summerholidays Vs. Punkroutine, 5. Bruitist Pome 6. New Noise, 7. The Refused Party Program, 8. Protest Song ’68, 9. Refused Are Fuckin Dead, 10. The Shape Of Punk To Come, 11. Tannhäuser, Derivè, 12. 9. Refused Are Fuckin Dead. 10. 11. Tannhäuser, Derivè.

The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts, often shortened to The Shape of Punk to Come, is the third album by Swedish hardcore punk band Refused, released on October 27, 1998 through Burning Heart Records. Although Refused broke up only months after the album's release, The Shape of Punk to Come has since found an audience for the band and largely contributed to their posthumous fame, as well as inspiring many later artists in a wide range of genres.

Tracklist

Worms Of The Senses / Faculties Of The Skull
Liberation Frequency
The Deadly Rhythm
Summerholidays Vs. Punkroutine
Bruitist Pome #5
New Noise
The Refused Party Program
Protest Song '68
Refused Are Fuckin Dead
The Shape Of Punk To Come
Tannhäuser / Derivè
The Apollo Programme Was A Hoax

Versions

Category Artist Title (Format) Label Category Country Year
BHR MoCliff 013 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(LP, Album) Burning Heart Records, Startracks BHR MoCliff 013 Sweden 1998
82001-2 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD, Album) Epitaph, Burning Heart Records 82001-2 US 1998
BHR 071, BHR071 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD, Album) Burning Heart Records, Burning Heart Records BHR 071, BHR071 Sweden 1998
BHR 071, BHR071 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD, Album) Burning Heart Records, Startracks BHR 071, BHR071 Sweden 1998
BHR 071 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD, Album) Burning Heart Records, Shock BHR 071 Australia 1998
BHR 071 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD, Album, Promo) Burning Heart Records BHR 071 Sweden 1998
82001-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(LP, Album) Epitaph, Burning Heart Records, Startracks 82001-1 US 1998
82001-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(LP, Album, TP) Epitaph, Burning Heart Records, Startracks 82001-1 US 1998
HS011 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD) Highlight Sounds HS011 Brazil 2002
BHR 1042 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD, Album, Dig) Burning Heart Records BHR 1042 Australasia 2004
BHR 1042-2 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD, Album, RE, Dig) Burning Heart Records, Startracks BHR 1042-2 Europe 2004
82001-9 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(DVD-A, Multichannel) Epitaph 82001-9 Sweden 2004
82001-9 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(DVD-A, Multichannel) Epitaph 82001-9 US 2004
82001-2 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(LP, Album, RE) Burning Heart Records, Startracks, Epitaph 82001-2 Europe 2008
86981-2 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xCD, Album, Dlx, RE + DVD-V) Epitaph 86981-2 US 2010
6981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, Album, Ltd, RE, RM, Whi) Epitaph 6981-1 Europe 2010
6981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, Album, RE, RM) Epitaph 6981-1 Europe 2010
6981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, Album, RE, RM, 180) Epitaph 6981-1 Europe 2010
86981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, Album, RM, Blu + DVD) Epitaph 86981-1 US 2010
E86981-2 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD, Album, RE + CD, Album + DVD-V, NTSC) Epitaph E86981-2 Australia 2010
7109-2 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD, Album, RE + CD, Album + DVD-V, RE, NTSC + Dlx,) Epitaph 7109-2 Europe 2010
6981-2 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(Ltd + CD, Album, RE + CD, Album + DVD-V, NTSC) Epitaph 6981-2 Europe 2010
6981-1 Refused The Shape Of Punk To Come - A Chimerical Bombination In 12 Bursts ‎(2xLP, Album, RE, RM) Epitaph 6981-1 Europe 2010
86981-1 Refused The Shape Of Punk To Come - A Chimerical Bombination In 12 Bursts ‎(2xLP, Album, RE, RM + DVD-V) Epitaph 86981-1 US 2010
86981-1 Refused The Shape Of Punk To Come A Chimerical Bombination In 12 Bursts ‎(2xLP, RE, RM, Gat) Epitaph 86981-1 US 2010
6981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, Album, Ltd, RE, RM, Cle) Epitaph 6981-1 Europe 2012
86981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, Ltd, RE, RM, Red + CD, Album + DVD-V) Epitaph 86981-1 US 2012
86981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, RE, RM + CD, Album + DVD-V) Epitaph 86981-1 US 2012
7212-2 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(CD, Album, RE) Epitaph 7212-2 Europe 2012
82001-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(LP, Album, RP, Pur) Epitaph, Burning Heart Records, Startracks 82001-1 US 2015
6981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, Album, RE, RM, Sil) Epitaph 6981-1 Europe 2016
86981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, Album, Ltd, RM, Gat) Epitaph 86981-1 US 2018
86981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, Album, Ltd, Num, Whi) Epitaph 86981-1 US 2019
86981-1 Refused The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) ‎(2xLP, Album, RE, RM, Gat) Epitaph 86981-1 US Unknown


Comments: (24)
MrRipper
Quite certain this should be combined with the standard 2010 reissue. Everything is identical.
Celen
So I have now received 2 copies of this record, yet on both of them 'The Deadly Rhythm' distorts every second or so after the full band kicks in. I don't believe it is my turntable. If it were my turntable, then surely the B side would also distort when it reaches the inner grooves? I can't find anyone talking about this online, so if anyone has a similar issue/solution I would appreciate knowing about it. Thanks
Drelahuginn
Anyone have any thoughts on this pressing? How's the sound quality?
Kikora
is there any difference between the 1 and 2 disc versions? is there any reason not to get the single disc rather than having the music spread across two discs?
Cia
still available through newbury for 30 bills..get it from there
Brakree
Still kind of a masterpiece. In response to an earlier review stating that it's not punk as its title states and that punk didn't end up sounding like this, the title is an homage to Ornette Coleman's The Shape of Jazz to Come, which similarly, was not what jazz ended up sounding like. That album was more like "The Shape of Ornette Coleman's Jazz to Come" because he carved such a unique niche for himself that even the most similar artists were not so similar. This album cover too is an homage to jazz album covers from the late 50s and early 60s which was a major turning point in the genre. The title signifies change, transformation, progression.
Voodoolkree
Is this version real silver colour or some kind of grey silver mix?
Otiel
Think it was a RSD release this year found on a refused fan site
Dagdarad
Ya I bought one last week like that in Camden London.
Tejora
definitely not a tout-court punk album. yes, it HAS punk, but it is experimental, noise, crossover, call whatever you wanna call it it.nonetheless, this is A GREAT effort by those swedish guys. and btw both pressing and remaster are GREAT.
Quellik
They can call it punk in the title, but this is NOT a punk record. It's one thing to have some cross genre fusion elements injected into it for the sake of the evolution of sound, but it's an entirely different thing to throw the baby out with the bathwater, drop even the simplest most basic foundations of punk music and then act like this is how punk is from now on. If it was truly "future" punk as they so boldly implied, it certainly didn't catch on, because even now no real punk sounds anything like that. It's got to look like a duck and talk like a duck to be a duck.I like the album, but it's not the punk revolution it promised to be. I'm all for musicians breaking the mold and innovation in general but if you call a minivan a sports car, gear heads are going to still call it a minivan despite their advertisements.
Malodred
"punk rock, if it were to remain threatening and potent, couldn’t keep sounding like punk rock" Threatened and potent is the inherent sound of punk you cannot remove those elements. That's like saying "Blues music, if it remained about being down and out and kept it's improvised blues twang, couldn't keep sounding like blues."These elements that make punk punk once gone make the music not punk. You cannot make chocolate cake with vanilla.
Skiletus
Well, first of all: This is hardcore and hardcore has drastically changed over time. Punk and hardcore do not sound so much like they've used to in the beginning. Secondly: "because even now no real punk sounds anything like that." That's because most nowadays punk bands haven't learned the lesson or have fully understood the point Refused have made. Oddly enough many "punk" bands are influenced by Refused but sadly picked up on the wrong things. "The thesis of 'The Shape of Punk to Come' – outlined clearly throughout the record – is that punk rock, if it were to remain threatening and potent, couldn’t keep sounding like punk rock."
Huston
does that even matter? geez, this is even tagged as PROG ROCK here...
SING
Correct me if I'm wrong, but there haven't been any remastered CD releases of this album, have there? There's a 96kHz/24bit download of the album from the 2010 remaster available from Pono, HDTracks, etc., but I just wanted to confirm that outside of the LP reissues the 2010 remaster isn't available on a physical format?
Morlunn
there was a dvd release of TSOPTC in 2004. Remastered (and remixed) in 5.1 surround.https://www.discogs.com/Refused-The-Shape-Of-Punk-To-Come-A-Chimerical-Bombination-In-12-Bursts/release/615740
ALAN
Anyone else have a misprinted label for side B? I have two Side A labels on disc one.
Anicasalar
Are the last couple of pictures from the insert? I bought mine still sealed but do not have an insert of any sorts. :/
Munigrinn
So, I bought it: Yes it IS a good remaster.
Adoraris
Is this a good remaster??
Altad
.
Cozius
.
Dagdardana
You mispelled the name of the album.
Ricep
Quite possibly the most influential release in the 90's on the current main stream hard rock/metal sound, which can be heard in bands such as The Used, Hawthorne Heights and countless others. This album combined elements of traditional breakdown hardcore with screamo while retaining song composition, the likes that hasnt been seen since the early days of Bad Brains. While "humble" wouldnt describe the bands effort here, they certainly werent above stepping outside the boundaries of the traditional format of the days hardcore elements. This sociopolitical laden concept album sacrifices nothing in the way of auditory complexity. Songs like "The Shape of Punk to Come" reveal layer after layer of sonic depth. Tracks flow into each other and create a non-stop experience that makes it hard to listen to just one song. The album provides a great commentary on the current climate that is still relevant 10 years after the fact.